JIM MORPHESIS

JIM MORPHESISJIM MORPHESISJIM MORPHESIS

JIM MORPHESIS

JIM MORPHESISJIM MORPHESISJIM MORPHESIS
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    • Home
    • Portfolio
      • Crosses and Crucifixions
      • Skulls and Portraits
      • The Figure
      • Marsyas and Cuts
      • Roses and Kardia
      • Abstractions
      • Recent Works on Paper
    • Bio
      • Solo Exhibitions
      • Group Exhibitions
      • Publications
      • Public Collections
      • Awards and Education
      • Biography
    • Media
    • Contact
  • Home
  • Portfolio
    • Crosses and Crucifixions
    • Skulls and Portraits
    • The Figure
    • Marsyas and Cuts
    • Roses and Kardia
    • Abstractions
    • Recent Works on Paper
  • Bio
    • Solo Exhibitions
    • Group Exhibitions
    • Publications
    • Public Collections
    • Awards and Education
    • Biography
  • Media
  • Contact

Media

Creative Currents Interview with Shana Nys Dambrot, art critic

Art Critic Shana Nys Dambrot interviews Jim Morphesis in 2012 abut his upcoming solo exhibition, “Time and Desire”, at Garboushian Gallery, Beverly Hills, CA

Passion and Presence, Memento and Myth:The work of Jim Morphesis, Artist Lecture

Passion and Presence, Memento and Myth
The work of Jim Morphesis

Artist Lecture at Cal Poly Pomona Kellogg University Art Gallery.
Tuesday Jan. 30 2018 11:30am - 1:30pm 

Through archetypal and allegorically-infused subjects and themes, Morphesis offers an encounter with the existential, ontological and ever-ephemeral search for life's meaning: the philosophical questions regarding the nature of "being" and the understanding of "self", both internally, and communally as a human, race, emerge. This probing expedition confronts our own inescapable mortality, and leads towards the always elemental human query of spiritual immortality. Symbiotically fused with Morphesis styles and techniques including abstraction, Cubism, assemblage, Abstract Expressionism, and Hyperrealism, Morphesis' six bodies of artwork also become a purposeful voyage through art historical disciplines of visual expression, while inevitably crossing through the self-imposed straights of auto-reflection, and the human collective's conscientiousness.

Curated by Michele Cairella-Fillmore

Hosted by Joan Agajanian Quinn with guest artists Woods Davy, George Herms, Jim Morphesis

Beverly Hills View: Hosted by Joan Agajanian Quinn with guest artists Woods Davy, George Herms, Jim Morphesis. Recorded on July 18, 2014.

Discussion of Painting of St. Sebastian Figure no.1 by Jim Morphesis

Intern, Jessica Rosen discuss Jim Morphesis' painting, St .Sebastian Figure no.1,1984  as art of  the exhibition, “Original Materials: The Picker Art Gallery and the Building of a Collection”, Picker Art Gallery, Colgate University, Hamilton, NY


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